This August, as India marked its 70 years as a free nation, the Edinburgh Fringe Festival, a statement of rebellion in art, music and theatre, also marked its 70 years of “being here” in the Scottish capital, which becomes home to nearly two million visitors for three weeks of the UK summer….A special report by Papri Sri Raman for Asian Lite News
Over the years, more and more groups joined the movement and in 2016, there were 50,266 performances of 3,269 shows at 294 venues, making it the largest arts festival in the world.
Tim O’Shea, Chairman of the Edinburgh Festival Fringe Society that was created in 1958, said: “After seven decades, the Fringe remains as relevant, vibrant, rebellious and exciting as ever.” He attributed the festival’s success to “being a completely open access festival”, which means anyone can take part.
There are more than a thousand street artistes performing on the Royal Mile that stretches from Edinburgh Castle and venues around it, mostly free. However, all hall shows of the Fringe are ticketed performances, with Fringe Society CEO Shona McCarthy emphasising at the AGM last week: “We will make sure access is our first priority.”
The festival got five stars in terms of access among 200 similar events across the world, she added. In 2016, she said, 2.5 million tickets were sold for the shows, and by the third week of August 2017, reports said ticket sales had neared the three million mark.
A staggering 62 countries now participate in the Fringe and this year, as part of the UK-India Year of Culture, India’s Ministry of Culture, the Indian Council for Cultural Relations, the Indian High Commission and festival producer Teamwork Arts (of JLF and Meta Theatre fame) brought a selection of Indian theatre, dance and music to the event.
The Indian Navy band performed last week as part of The Royal Edinburgh Military Tattoo, a series of military tattoos performed by British Armed Forces, Commonwealth and international military bands and musical teams on the esplanade of the Edinburgh Castle. Prince Charles and Prince William heard the band, which teamed up with a troupe of dancers portraying the festivals of India’s western seaboard. The band comprised 65 musician-sailors who performed under the baton of Commander Vijay Charles D’Cruz, Director of Music (Navy).
Actor-Director Yuki Ellias wove an intriguing tale of adventure for children in a homage to Lord Ganesha, in a show called “Elephant in the Room”. The protagonist is a young boy named Master Tusk, who has been given a new head — an elephant’s! Amidst a cursed love affair, an encounter with an eccentric old elephant and a hunt for a missing head, Master Tusk sets off on an adventure that changes his life.
Telling the story of the Brahmaputra river island of Majuli, through an evocative narrative in a performance titled “Majuli”, dancer Shilpika Bordoloi said: “This production is an earnest effort to share the story of Majuli through a personal vocabulary of movement, dance and theatre. The island has fascinated me from my early childhood days through frequent boat rides that I shared with my father.”
Aditya Roy’s “The Offering” (also called “Guru Dakshina”) was the story of a boy who dreams of the great warriors of the past and of being one of them.
Among 26 Indian origin performances was “Blind Spots”, a devised production staged by the students of Delhi University in collaboration with the Edinburgh University. It depicted the life of a people structured around campus life where everybody is trying to tell a story, a tale that deals with personal aspirations, social mobility and integration. The show depicted young India’s voices and spaces from personal, literary and historical sources.
“The collaboration underlines the University of Edinburgh’s commitment to develop partnerships with Indian institutions and deepen and extend Edinburgh’s relationship with India,” said Professor James Smith, Vice Principal (International) of Edinburgh University.
The symbolic ritual of Indian dance was represented in an Alba Flamenca group’s performance. There were several stand-up comedy shows by Indian origin artistes like Hari Srikanth, the 2014 BBC award winner; Rahul Kohli; Dharmender Singh with his Bollywood stories; and San Francisco-based Sid Singh, who says he is on tour just “to avoid being in the same country as Donald Trump”.
Then, Khushi’s, the first Indian restaurant in Edinburgh that also opened in 1947, marked its anniversary and several street food festivals were also created in and around Edfringe.